Filming days start at $1,200 for an ENG package, $1,500 for the interview package, and editing starts at $700. Every project is quoted individually with a transparent, itemized estimate, so you know exactly where your budget is going before anything is signed. No padded flat rates, no surprise line items at delivery. Build a ballpark below, or here's how the number comes together.
Every quote comes down to five lines — tap to see them
The biggest driver. A half-day interview, a full event day, and a multi-day documentary are scoped differently, and the estimate says exactly how many days you're paying for.
Many projects are just me as a solo owner‑operator, which keeps things lean. Bigger productions add trusted gaffers, audio techs, and second camera operators, each listed individually.
My full kit comes with me, scaled to the job. You only pay for the package your production actually needs, not a rental house's wishlist.
Boston-area work travels free. New England, New York, and beyond get an honest travel line you can see and question before signing.
Editing, color grading, motion graphics, and audio mixing are quoted by the project, and every edit includes one free round of revisions. Prefer raw footage handed off to your team? That's an option too, and the estimate gets smaller.
Tick what you need and the number moves with you. It's a ballpark to start the conversation, not a contract.
Already have footage? Price the edit on its own.
Full edits start at a 2-day minimum, $700.
Every edit includes color grading, sound polish, and one free revision round. Want to keep refining? We continue at the $350 editing-day rate until you're happy with it.
A ballpark to get us talking. Your real quote is itemized and based on the actual project.
My full 4K60p, broadcast-ready package comes standard. See the complete kit & gear list.