A cinematic walkthrough of a CRISPR gene‑editing company's office, designed by LLM Designs and produced with Above Summit. The piece moves through the finished space to show off the architecture and interior design — the kind of film that has to make a room feel as considered on screen as it does in person.
My job was to make the space move. I ran the camera on a gimbal for smooth, continuous walkthrough shots, framed the interview setups, and gaffed the lighting so every material and surface read the way the designers intended — balancing the building's own light against what we brought in. Shooting a design walkthrough is all about motivated movement and clean, flattering light; the space is the subject, so the camera has to glide and the lighting has to flatter.
Camera operator, gimbal operator, and gaffer — lighting the space, framing the interviews, and running the gimbal for the walkthrough. This was an Above Summit production for LLM Designs, one of a few architecture and design films I've shot with the two of them.
From office and architecture walkthroughs to brand and facility films, I light and move the camera so a space looks as good on screen as it does in the room — across Greater Boston and New England.
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