A cinematic walkthrough of a CRISPR gene‑editing company's office, designed by LLM Designs and produced with Above Summit. The piece moves through the finished space to show off the architecture and interior design, the kind of film that has to make a room feel as considered on screen as it does in person.
My job was to make the space move. I ran the camera on a gimbal for smooth, continuous walkthrough shots, framed the interview setups, and gaffed the lighting so every material and surface read the way the designers intended, balancing the building's own light against what we brought in. Shooting a design walkthrough is all about motivated movement and clean, flattering light; the space is the subject, so the camera has to glide and the lighting has to flatter.
Camera operator, gimbal operator, and gaffer, lighting the space, framing the interviews, and running the gimbal for the walkthrough. This was an Above Summit production for LLM Designs, one of a few architecture and design films I've shot with the two of them.
From office and architecture walkthroughs to brand and facility films, I light and move the camera so a space looks as good on screen as it does in the room, across Greater Boston and New England.
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