Hiring an owner‑operator means the camera, sound, and lighting show up
with one person and one line on the estimate, no rental house runs, no confusion on set.
This is the working kit behind my documentary, commercial, broadcast, and live event work across
Boston, New England, and New York. It scales up or down to fit your production.
◆ Click any kit to see how it works on set
Cameras & Lenses
- Panasonic EVA1 kit — the workhorse
- Canon C300 Mark III (Super 35 cinema)
- Canon CN-E 18-80mm T4.4 cine zoom with servo grip
- Canon EF 24-70mm f/2.8L · 70-200mm f/2.8L
- Canon 24-105mm f/4 · 70-200mm f/4
- Canon B4 21x8 broadcast zoom with MTF B4-to-EF adapter
The EVA1 is the everyday workhorse, and the B4 broadcast glass makes this a true ENG-capable package.
See the builds →
Sound
- Rode Wireless GO II kit
- Rode NTG3B & NTG2 shotguns
- Electro-Voice RE50B ENG mic
- Shure MV7 podcast mic
- Tascam DR-40 multitrack recorder
- Saramonic carbon fiber boompole
- Tentacle Sync timecode (2)
See the setups →
Lighting & Grip
- GVM 600D
- Aputure B7C & MC Pro
- Dracast bi-color LED
- Godox SK400 II strobe · RGB Mini M1
- 36" octobox, reflectors, grip hardware
See the light →
Support & Movement
- Sachtler Ace Mark II fluid head
- Ergorig with undersling riser
- SmallRig shoulder rig & follow focus
- iKan E-Image legs, high hat, 75mm bowl
See the rigs →
Wireless Video & Monitoring
- Hollyland Mars M1: up to 4 wireless feeds for clients and producers
- Portkeys BM5 2200-nit field monitor
- Full SDI and rod systems
Your producer watches every frame live, on set, from their own screen.
See the village →
The kit comes with a filmmaker
Gear is only half the job. See what I shoot or how pricing works, or tell me about your production and I'll build the right package.