An owner‑operator package,
ready to roll.

Hiring an owner‑operator means the camera, sound, and lighting show up with one person and one line on the estimate, no rental house runs, no confusion on set. This is the working kit behind my documentary, commercial, broadcast, and live event work across Boston, New England, and New York. It scales up or down to fit your production.

3
Camera Package
33
MP Stills, a7 IV
4
Wireless Feeds
1
Owner Operator

◆ Click any kit to see how it works on set

Cameras & Lenses

  • Sony FX9 (full-frame 6K cinema), the A-camera
  • Panasonic EVA1 kit, the workhorse
  • Sony a7 IV (33MP full-frame stills and 4K video), the C-camera and every photograph
  • Canon C300 Mark II (Super 35 cinema)
  • Sony FE PZ 28-135mm f/4 G OSS servo cine zoom, film and photography
  • Canon EF 24-70mm f/2.8L
  • Canon EF 70-200mm f/2.8L IS II, the long lens, included on every photography session
  • Canon B4 21x8 broadcast zoom with MTF B4-to-EF adapter

Up to three cameras on one estimate: the Sony FX9 as the A-camera, the EVA1 as the everyday workhorse, and the Sony a7 IV as a third angle that doubles as the stills body. The 28-135 servo zoom covers doc days and photography on the same mount, and the B4 broadcast glass makes this a true ENG-capable kit. A Canon C300 owner operator package is a rare find in the Northeast.

See the builds →

Sound

  • Rode Wireless GO II kit
  • Rode NTG3B & NTG2 shotguns
  • Electro-Voice RE50B ENG mic
  • Shure MV7 podcast mic
  • Tascam DR-40 multitrack recorder
  • Saramonic carbon fiber boompole
  • Tentacle Sync timecode (2)
See the setups →

Lighting & Grip

  • GVM 600D
  • Aputure B7C & MC Pro
  • Dracast bi-color LED
  • Godox SK400 II strobe · RGB Mini M1
  • 36" octobox, reflectors, grip hardware
See the light →

Support & Movement

  • Gimbal package: Sony a7 IV on the Zhiyun Crane 3S with the 28-135, an add-on to the interview packages
  • Event Gimbal package, its own package for event coverage: the same build plus a boom mic and one wireless kit, with XLR audio and Tentacle Sync timecode so the roaming camera cuts with the locked angles
  • Sachtler Ace Mark II fluid head
  • Ergorig with undersling riser
  • SmallRig shoulder rig & follow focus
  • iKan E-Image legs, high hat, 75mm bowl
See the rigs →

Wireless Video & Monitoring

  • Hollyland Mars M1: up to 4 wireless feeds for clients and producers
  • Portkeys BM5 2200-nit field monitor
  • Full SDI and rod systems

Your producer watches every frame live, on set, from their own screen.

See the village →

The kit comes with a filmmaker

Gear is only half the job. See what I shoot or how pricing works, or tell me about your production and I'll build the right package.

Get in touch →